The 'Lucky Building' in New York City: "[a]nd who would want to crash a plane into such a friendly looking building...," indeed. New York City skyline received this makeover from Tjep., a Dutch design studio formed by Frank Tjepkema. (A while ago, Gem featured another Tjep.'s project.) Note that dot: not 'Tjep', but Tjep. is the name of this studio with a dot on elegance, technology and poetry.
De Tafelwip (loosely translated: 'the courtesy table') is a playful, if slightly scornful Dutch design by Marleen Jansen. If you are going to be so rude as to leave the table before everyone has finished dinner, you will cause the other diner to crash down.
You may be acquainted with individuals who read ebooks. You may even have befriended one or two such ereaders. Chances are that you yourself are such an ereader. We, however, still indulge in books in a trashy way.
We frequent libraries and bookstores, and we carefully plan our interiors to accomodate the beloved books. Over the years, we moved from one to another jurisdiction, house, job, lover. Old LPs, casettes, magazines, letters, dear gifts were more often than not lost along our way. Usually, it is only the books that make it. Each a story in its own right, they link us to our past.
And so it can hardly come as a surprise that our bookshelves are something between a shrine and a peep-show. Our books may seem accidental to an innocent bystander, but we who selected them know better. We indulge in scanning the libraries of people we know to get to know these people better.
We may have entered the sexy boudoirs of those who persuaded us to come up for a nightcap, but we hastily departed when we found their poor books or, even, no books at all. I know a man who fell under a spell of his (now) girlfriend, when he saw her bookshelves: she pins little green curtains on each individual shelf to keep books safe. How could one possibly resist that? Photographs featured are all taken from Bookshelf Porn, a photo-blog showcasing only the best photographs of bookshelves: the ones that are nothing less than 'porn for book lovers'. Highly recommended. In the coming days, we will select and feature bookshelves we crave for.
Nosing the smartphone while having a bath (featuring Wilcox himself)
A chair swing (featuring Wilcox being swung by his dad)
Honesty stamps
A measure-tape diary
There's a big chance that you've already come accross Dominic Wilcox. His war bowls are by now a classic on design blogs. He is, however, more an innovator than a designer. Wilcox's amazing blog, Variations on normal, is really a little factory of innovations. In his own words: his blog is "a place for the sketchbook thoughts, ideas, and inventions of me, Dominic Wilcox." It is hard to believe that this is a one-man factory: there seem to be no Oompa-Loompas there cheerfully slaving away. For those of you that could honestly make use of that honesty stamp, it comes in eight variations: I sincerely apologise for all the trouble I've caused. In all my life I've never met anyone as beautiful as you. All I ask for is one last chance. I know in the past I've found it difficult to say these words but I LOVE YOU. What do you mean I'm always too busy? I swear on my mother's grave I'll never do that again. You are by far the most talented person I know. You're right, the key to a strong relationship is communication. Very handy.
While some of his sketchbook innovations made it in the real world (see Wilcox's webshop), others may never come about. Unfortunately, because it is exactly the latter that are amusing to no end. We're shamelessly applying a handful of his sketchbook ideas in our daily routine.
Herbert A. Millington Chair – Search Committee 412A Clarkson Hall, Whitson University College Hill, MA 34109
Dear Professor Millington,
Thank you for your letter of March 16. After careful consideration, I regret to inform you that I am unable to accept your refusal to offer me an assistant professor position in your department.
This year I have been particularly fortunate in receiving an unusually large number of rejection letters. With such a varied and promising field of candidates, it is impossible for me to accept all refusals.
Despite Whitson’s outstanding qualifications and previous experience in rejecting applicants, I find that your rejection does not meet my needs at this time. Therefore, I will assume the position of assistant professor in your department this August. I look forward to seeing you then.
Amidst all the Britnies and Justins we have forgotten all about it. What makes for really good music? It's quite simple, really. A really good singer and a really good song. But then there's a whole different brand of music. Which secret ingredient sets such music appart from really good music? We don't know. We only know how to recognise it: we find it irresistable. Play it again, Sam... A person dear to me finds 'Back It Up' to be such irresistable music. Indeed, the song and the singer fit the bill. Caro Emerald, a Dutch conservatory trained jazz vocalist, is a really good singer. And the song, written by David Schreurs and Vince Degiorgio, is a really good song. There is that rare chemistry there between the singer and the song, too: apparently, it took only one take. The song even has a cinematic quality to it. As you listen, Humphrey Bogarts are hiding at every corner. And as for the secret ingredient... Ever since the single came out in 2009, the listeners do exactly as the song instructs: they back it up and do it again. Even the lyrics read as a manual for manic listeners:
Gimme some of that funky The kind that the Duke used to play And make it more swingy Heyey
And then give me some hornay You know the bub-pu-pa bub-pu-pa-bay Come on, give it to me Hmmm hmmm
Slam that bass and make it sing Give those strings that rip 'n zing You know zactly what I came here for Back it up and do it again
I believe this song is one of the most cleverly crafted songs I've come accross. As one reviewer has put it: Caro finds her charm in a fairly obvious way; she takes the heart-pounding, smoky-lounged, crowd-whistling side of jazz and makes that the backbone of her music. In other words, Caro gave center stage to jazz I call 'jazz noir', vocal jazz from the movies that always feels like guilty pleasure... Hollywood jazz forever associated with bar noise, smoking, femme fatalles and men with hats. Hats off to Caro.
... giving out the sound of waves and providing you with the illusion of a beach...
All above featured products were designed by Studio Joon&Jung from Eindhoven in the Netherlands. The designers, Joonsoo Kim, Jungyou Choi and Hyunwook Lee, are originally Korean and graduates from the Design Academy Eindhoven. Their unique blend of Dutch and Korean approaches to design makes up for a delightfully unexpected portfolio. It is becoming more apparent by the day that also in design Asia is the new frontier.
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